By
Taryn Plumb GLOBE
CORRESPONDENT
DECEMBER
07, 2014
Highlighter-bright
rays of color streamed through the sky over charcoal-gray mountains.
Dark cutouts of birds wheeled against that sky, along with
gray-and-white depictions of the flapping flags of the United States,
United Kingdom, and Scotland.
At
center, a young man stood in profile, flanked on either side by
featureless, carbon-copy silhouettes of himself.
This
was Chelmsford 16-year-old Matt Piper’s artistic answer to the
query, “Who am I?”
The
question was posed to hundreds of students from schools throughout
the region — including Lynn, Acton, Waltham, Lowell, Ashland,
Hopkinton, Lexington, Malden, and Swampscott — as part of an
international art project with an ultimately celestial purpose.
“I
don’t think what makes you you is your body,” the Chelmsford High
School junior said of his piece, “but rather the people who have
come before you, and places that you’ve been and experiences that
you’ve had.”
Such
is the purpose of the Dream
Rocket Project:
to encourage young people to look in and outside of themselves and
turn their ideals, experiences, and hopes for the future into art. An
initiative of the International Fiber Collaborative, the project will
take thousands of collected works from around the world and stitch
them together into a momentous 32,000-square-foot piece that will
then be wrapped around a replica of NASA’s Saturn V moon rocket at
the US
Space and Rocket Center in
Huntsville, Ala. The exhibition is planned for May 1 through June 30.
More
than 900 students from around the state contributed pieces addressing
the theme “Who Am I? Personal Connections to Immigration or
Migration.” They will be amassed with more than 8,000 other pieces
from 46 states and 17 countries and swathed around the spacecraft,
which is modeled on those that launched dozens of astronauts to the
moon in the late 1960s and early 1970s.
“I
thought it was pretty cool, because it will be taking all these
different backgrounds and putting it into one,” said 15-year-old
Kenneth Padilla-Salguero, a 10th-grader at Waltham High School.
Through the process, he said, he learned that “we’re all
different, but we are the same in some way. We all go through the
same stuff.”
More
than 50 students from his school used 12-inch-by-12-inch linen panels
to create abstract self-portraits alongside images depicting their
heritage, interests, and career goals.
“Some
of them really scraped,’’ said art specialist Mary Coughlan, who
led the project. “It was self-examination. It was hard for them to
put this stuff down.”
In
Padilla-Salguero’s reflective piece, he portrays only the upper
part of his face, from the bridge of the nose up, before a background
of a partial Guatemalan flag (his ethnicity), a soccer ball (his
passion), and a stethoscope and the caduceus medical symbol (his
career ambition).
His
classmate Tiffany Nguyen depicted herself from the nose down, notes
drifting out of her mouth to illustrate her love of music, a suitcase
for her interest in traveling, and a nod to her background with a
hint of the Vietnamese flag.
“When
I started out, I didn’t know what I wanted to be, [but] as I
thought more about where I came from and where I am now, I could see
more what my future could be like,” said the 15-year-old
10th-grader, who is contemplating a career as either a pediatrician
or a pharmacist.
Piper
had a similar experience when he sat down with pen to paper.
“It’s
harder to put into a picture who you are as a person than it seems,”
said the teenager, who has aspirations to become an architect. He
said he typically focuses on drawing still-lifes, such as a recent
piece showing work boots that seem like they have just been thrown
off after a long day.
“It
was a really good experience for developing artistic inquiry,” he
said of the Dream Rocket Project. “I had to actually think about
what I wanted to do and what I wanted to represent, rather than just
drawing something based on something.”
His
2-foot-by-2-foot contribution depicts his heritage with the
willowy-drawn American, Scottish, and United Kingdom flags, and
mountains that “resemble my favorite place on earth,” his
grandparents’ lake house on Pleasant Pond, Maine, where he said he
has his “most patriotic childhood memories.”
Ultimately,
“what makes you a person is not anything material,” he said.
“I’ve never really had to think about that before.”
Students
at Luther Conant elementary school in Acton took a rather different
approach; 22 youngsters in a third-grade class embroidered circular
designs based on the flags of their heritage.
For
Curtis Ying, 8, that translated to yellow stars set against a red
felt background in honor of the Chinese flag.
“I
thought it was very creative,” he said. “I really like art. It’s
basically what I usually do at home.”
Although
he called needlework a new experience, “It turned out pretty good,”
he said. “I learn fast.”
Similarly,
at the ethnically diverse E.J. Harrington Elementary School in Lynn,
students analyzed their lives and families and how and why they came
to live in the United States. Their consensus: more freedom, a better
education, more job opportunities, and a wish to join family members
already living here, according to art teacher Mary Parks.
They
then chose images to represent the words “immigration’’ and
“migration’’ in their artwork; many students created airplanes,
ships, and trains to show how they came to the States, while others
used the sun to represent the warm climate of their native country.
Others chose to include the earth, which, as Parks explained,
“symbolizes the many different cultures and countries of our
students.”
Overall,
as Conant visual arts specialist Melissa Hayes noted, collaboration –
what she called a “21st-century skill” – was one key takeaway
of the project.
When
students grow up, “they will have to work collaboratively in almost
every workplace they will encounter,” she said. “Giving students
experience, and practice working collaboratively, is so important.”
Piper’s
teacher at Chelmsford High, Terry Karangioze, agreed. She said she
has long emphasized participation in real-world art projects,
including at assisted-living programs, hospitals, libraries, and with
larger nonprofits.
“They
encourage my students to have a sense of purpose, accomplishment,
pride, and meaning in their lives,” she said.
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